- #IRIDIENT DEVELOPER FUJI FILM SIMULATION PRO#
- #IRIDIENT DEVELOPER FUJI FILM SIMULATION SOFTWARE#
- #IRIDIENT DEVELOPER FUJI FILM SIMULATION SERIES#
#IRIDIENT DEVELOPER FUJI FILM SIMULATION SERIES#
The original X100 and subsequent models in the series are such great cameras for people who love film because they’re all characterized by some very “film camera-like” features. In an early 2011 writeup, DPReview described the X100 as “…a firm favorite in the dpreview offices.” Adding that “Its drop-dead gorgeous looks and excellent build make it a camera that begs you to pick it up and take it out with you,” and later describing the image quality of its 12.3 MP APS-C sized CMOS sensor as “…nothing short of superb.” When the original Fujifilm X100 debuted at Photokina in late 2010, it made a massive splash. The writers and I decided to sit down and brainstorm which five digital cameras currently selling today are best for those of us who love film cameras. It’s also hard to argue against the speed and efficiency of the digital workflow (there’s a reason all of the product shots here and in my camera shop are made with digital machines, after all). While many digital cameras seem bland and, as stated, disposable, there does exist a handful of really phenomenal digital cameras that not only make amazing images, but also feel like the classic mechanical cameras that we love so dearly. Film cameras are creations from a time when physical mechanisms drove the world, and it’s rare to find such haptic joy in the modern era in which consumer goods are often thought of as disposable, or at least inevitably replaceable.Īll of that said, there’s no denying that we also love certain digital cameras. But I think most of the writers here appreciate and maybe even prefer film cameras for one very specific reason – they feel incredible. CineD: Irix 150mm T3.At Casual Photophile, we love film cameras for many reasons notably their historical significance, their ability to make world-class images, and their low cost compared to their digital counterparts.Jon Fauer ASC’s Always Essential & Excellent ‘Film and Digital Times’ September 2022 Issue Is Out Now.Please also consider donating to our favourite charitable cause, Lefty’s Place, via PayPal.Me/leftysplace. If you wish to make a donation to support our work here at Unititled.Net then please use PayPal.Me/KarinGottschalk.
Header image concept and design by Carmel D. These film emulation style presets are intended to produce a similar look to the X-Trans in-camera conversion styles for Classic Chrome, Standard/Provia, Soft/Astia, Vivid/Velvia, ProNegStd, ProNegHi, Monochrome, Monochrome+Ye, Monochrome+R, Monochrome+G and Sepia. The Vivid style in particular should show much better results in dark shadows and very bright colors in many cases should show more gradual transition to clipping and better saturation. The color presets for APS-C models have been improved, especially for the extreme ends of the tonal range (dark shadows and bright highlights).
#IRIDIENT DEVELOPER FUJI FILM SIMULATION SOFTWARE#
Iridient Digital’s other software product, Iridient X-Transformer, is currently under development and has been updated to beta version 3. Iridient X-Transformer converts Fujifilm X-Trans and non-X-Trans RAF raw image files into open standard DNG raw files. Panasonic – DC-GH5 and DC-FZ80 aka DC-FZ82.
The list of new cameras supported by version 3.1.4 of Iridient Developer includes: Iridient Developer also supports non-X-Trans Bayer sensor-equipped cameras, notably Fujifilm’s recently released GFX 50S medium format camera as well as over 620 other cameras.
#IRIDIENT DEVELOPER FUJI FILM SIMULATION PRO#
Iridient Developer 3.1.4 supports raw files from 11 new cameras including the Fujifilm X100F, depicted here being processed using Iridient Digital’s Fujifilm Pro Neg S film simulation profile. Raw processing software developer Iridient Digital has updated its flagship Macintosh MacOS product Iridient Developer to version 3.1.4. Iridient Developer is reportedly favoured by photographers seeing to gain the sharpest, most highly detailed renderings of raw files from Fujifilm cameras with non-Bayer X-Trans sensors.
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